By: Allison Copenbarger
(Originally published in The News-Gazette, Feb. 20, 2011)
Writing my Sister Sarah story for Professor Harrington’s class
taught me how deep feature writing can be. One of our readings talked
about narrative stories being “deep and not wide”, meaning you really
focus in on a particular subject and mine for intimate details. The
class helped me to conduct more personal interviews, ask better
detail-specific questions and, most importantly, see where the real
story was among all the interesting details.
My story won 3rd place for Personality/Profile writing in the
2011 Hearst Foundation’s Journalism Awards Program ($1500) & 1st place
in the 2011 Marian and Barney Brody Creative Writing Award ($2500).
- Allison Copenbarger
As Sarah Roy walks down Sixth Street, her pale blue eyes squint slightly at the sun and her black veil gently whips behind her head. She’s among a sea of North Face jackets, Ugg boots and orange and blue sweatpants. She herself is donning her normal garb – black jumper, black tights, black veil and black mary-jane flats. It’s the same uniform she has worn nearly every day for the nine years since she became a Roman Catholic nun. Today she has added a navy hooded sweatshirt over her jumper – it’s a little chilly.
The University of Illinois campus is always busy just before noon students hurrying to class. Sarah is instead hurrying to noon mass at St. John’s Catholic Chapel at Sixth and Armory streets. She hops up the familiar concrete steps to the chapel, opens the heavy glass door above which is carved: “Teach ye all nations all things whatsoever I have commanded you.”