BY: Chelsey B. Coombs
(Originally published in The News-Gazette, June 21, 2014)
Amy Hassinger sits at her built-in desk, completely straight in her chair, between two floor-to-ceiling white bookshelves that hold titles such as The New York Public Library American History Desk Reference, Stephen King’s On Writing, Virginia Woolf’s Orlando and many years of The Best American Short Stories anthologies. Early morning light streams through the window that overlooks her Urbana neighborhood and bathes her freckled face and short brown hair. Her chocolate-brown dog, Hachi, nudges her hand, but she ignores him and furrows her brow. Her husband is at work and her kids are off to school, and the only sound in the room is Amy’s pen scratching on a legal pad.
She is a writer at work.
“Writing, for me, was always really hard,” she says. “I wasn’t one of these star writers who just right out of the gate was winning all the prizes and, to me, it was — and still continues to be — a real effort. But it was one of the only things I did that I felt fully, completely engaged in.”
At age 41, Amy is the author of two novels, “Nina: Adolescence,” which was called “truly penetrating” by Salon.com, and “The Priest’s Madonna,” which Library Journal said was “marvelously written and researched.” She has finished the “umpteenth set of revisions” on her newest novel, a three-year project, and is “letting it sit for a couple weeks” before sending it to her agent. She teaches in the University of Nebraska’s low-residency MFA in Writing Program and the University of Illinois’ Osher Lifelong Learning Institute, and is raising two kids. She’s busy.